I know I’m supposed to be following the national blogging trend and discussing the inauguration of Barack Obama yesterday, but I’m going to do my usual thing and instead focus on an incredibly mundane and tasteless topic. I’ll talk about the inauguration later.
We can blame it on the jetlag. In all seriousness, I don’t think I’ve ever had jetlag quite this bad before (I remember that it was pretty bad when I went to Saudi Arabia, but the difference there is that I was forced to keep moving so that, even if I was tired all the time, I couldn’t sit around and be mopey about it). No matter what time I go to bed–and last night, Ray and I were both fast asleep by 9:15, an hour usually reserved for Ray ridiculing me for already being in bed (usually reading) while he exercises the Xbox–I’ve been waking up sometime between midnight and two and unable to get back to sleep. Last night was a first in that, while this continued to be the case, I was actually able to get back to sleep, although I kept waking up every hour or so until the alarm went off.
So, here’s the tasteless topic: Ray and his friend Debbie decided over the weekend that they wanted to go see the remake of My Bloody Valentine in 3D. (I should point out here that I haven’t seen the original and wasn’t even aware that it was a remake until we got to the theater. I had thought that it was a reissue.) I do enjoy the occasional horror flick–Ray and I have gotten to the point where we usually figure it out about five minutes in.
I’m going to try not to spoil anything for you, but I just need to go on record: this movie was horribly, phenomenally, unbelievably bad. The only thing that kept us from laughing out loud at several points was the fact that it was in 3D, and, let’s face it, when people are being sliced open and you can see inside of them it’s kinda cool (when it’s obviously fake, as it was here – real blood and gushing trauma wounds make me woozy).
I think, however, that the New York Times may have summed it all up pretty well in its review:
In the way of small towns, Tom’s ex-girlfriend Sarah (Jaime King), is now married to his former best friend and current town sheriff, Axel (the singularly narcotic Kerr Smith), though her eyes still do this weird, flickery thing whenever she looks at Tom. Maybe she just needs an ophthalmologist.
Then, on Valentine’s Day, freshly pickaxed bodies sprout all over town, their hearts nestled in blood-red candy boxes. Axel suspects Tom (because he keeps furtively popping pills); Tom suspects Axel (because of his unconvincing facial hair); and Sarah suspects she needs a manicure.
There’s also a fun sequence involving no less than five minutes of a naked woman running from the killer through a parking lot. Ray, who was sitting next to Debbie and her teenage son, felt distinctly uncomfortable during this scene — I was more amazed at the fact that she was actually naked, and the move still didn’t score an NC-17 rating. You know perfectly well it would have been if the bits flopping around had been male.
A good chunk of the movie is set in a mine, and by the end of the film, I was kind of hoping that said mine would cave in and crush the cast, all of whom have either starred in shows on the CW (or one of its predecessor networks) or seem like they should have at one point. So, here’s a Rambling Khowaga thumbs sideways on this one. The 3D keeps things interesting, but the movie is too long and the cast, like all CW rejects, take themselves way too seriously.
Although I am kind of curious to see the original now. *strokes chin*
Anyway, my next post will be weighty and historic, I swear. Almost really






